Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Still life floral, all kinds of reality flowers oil painting 133

ID: 48139

unknow artist Still life floral, all kinds of reality flowers oil painting  133
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unknow artist Still life floral, all kinds of reality flowers oil painting  133


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unknow artist

  Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 097. | nouaillemaupertuis | Portrait of Louis Francois Joseph de Bourbon | Classical hunting fox, Equestrian and Beautiful Horses, 022. | Hunde vor der Hutte, |
Related Artists:
Anthonie Palamedesz
, also Anthonie or Antonie Palamedesz., (1601, Delft - ca 27 November 1673, Amsterdam), was a Dutch Golden Age portrait painter. According to Houbraken his father was a Flemish sculptor who carved semi-precious stone such as Jasper, Porphyry, and Agate into vases and other decorative art. His father had traveled to England in service of King James of Scotland, but after Anthonie's older brother Palamedes was born, the family returned to Delft where the boys grew up. Anthonie survived his brother Palamedes who died young in 1638. He entered the Delft Guild of St. Luke in 1636 and was in 1673 hoofdman or deacon of that guild for the last time. Palamedes primarily painted portraits and genre works, while his brother Palamedes Palamedesz. I was a battle scene painter. According to the RKD, Anthonie was the oldest brother, taught by Michiel Jansz. van Mierevelt and Hans Jordaens and had joined the Delft Guild of Saint Luke already in 1621. He was married twice, and had four children in total. His pupils were his younger brother Palamedes, his own son Palamedes II, and the painter Ludolf de Jongh. Anthonie died in Amsterdam in 1673.
Hughes Taraval
1729-1785
Jean-Baptiste Camille Corot
(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.






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